Congratulations. You’re pregnant!…with an idea. Men, this applies to you too. Just pretend you’re a sensitive, creative, artistic seahorse. I know that’s exactly how you describe yourself on first dates anyway. Perhaps it went something like this: you’re in the shower, washing your right leg first instead of the usual left leg, and BING. “What if ______, and then ____ happened…”. You jump out of the shower, scribble down a seemingly incoherent stream of thoughts onto whatever you get your hands on first. This might be a napkin, the mirror, a pizza box (that you had in your bathroom? Gross). For the very organized and fancy creative types you probably have a journal with some 18th century French painting on it, or it’s one of those plain, leather bound jobs — you know, if you’re super serious about this type of thing. You strive to be like Hemingway, and like Hemingway you will be. And then comes the test. You run it by your likewise creative friends and/or mom. You unload the amorphous blob in your brain, wait anxiously for them to punch your card, give the bright eyed, wondrous look of appreciation and intrigue and…BAM. We are go for launch. Houston, we have an idea. Approval won, you fare forth with the rest of this process like Odysseus. Like a damn brilliant and capable Odysseus. The Sirens of Creative Block Island are no match for your sword of genius thought. Or so it seems…
The initial days of idea pregnancy are exciting, as you plan what to do with the future success of your labor and the juices flow like wine from like, the biggest vineyard this side of Heaven. Duh. Nothing is very difficult and all is well. You begin writing, or painting, or whatever it is you like to do. The process rolls on and your idea begins to take shape, growing tiny little hands and feet. You start contemplating a title, a huge job as you want your idea to be able to venture out into the world and find a decent job. Something too long, to pretentious, or too vague might break the little idea’s chances of making it, effectively landing it in the bin of forgotteness, in the Land of No One Gives A Shit. Some of you wait until you see your idea whole and complete for the first time to give it a title. You guys are strange to me. “Untitled Project #48″ sounds too crass a name to assign such a precious piece of work. And whatever idea you find yourself pregnant with is precious, no matter what. It’s always the best idea ever, that is until…
You reach the third trimester of idea pregnancy. By this point, you’ve gained weight as a result of trying to eat your way through writers block (or _(pick your craft)_ block). This baby is giving you problems. The symmetry isn’t right, the plot isn’t working, the characters are undefined and flat. You begin to wonder why you hoped to get knocked up in the first place. As an artist and writer, you dream of the day when you can manifest something tangible and wonderful from this initial seed in your brain. This is what makes art and literature and film, so on and so forth, so incredibly amazing. Without the hands to do the translation from mind to world, your piece of brilliance would go forever unknown, and perhaps the world would be less wonderful for not ever having seen it. This is too tremendous a task to ignore if you’ve been charged with the responsibility and passion for it! And now you’ve got this thing, this monkey on your back, that you have to get done. You have to see it through because you’ve come this far already. Many creators know the pains of seeing something so initially beautiful fall to pieces in the end, and wind up in the box of unfinished work that you hide in your closet (mine is a green, plastic tub — full of things I thought were great at one point in my life. It’s a graveyard that I visit once every few years.). And you’re not giving up now! You grit your teeth, bare down on the rag in your mouth and push through. Your canvas is seventy-five percent complete; you’re at page eighty of your screenplay, page 257 of your 400 page novel. On and on you go through the muck and mire, harking back to your Odysseus-esque inspiration. All those kinks and hang-ups, those monumental problems with your idea’s formation will be worked out! They WILL! So help you, this will work. And at the very least, if this is your vomit draft, your first sweep of this idea, you WILL get it all out. You commit yourself to your work area, your office or to the Starbucks down the street from your house. Maybe you stop showering or sleeping regularly. Your friends begin to notice. You mumble notes about color or character arcs. They don’t understand you and begin to fear for your sanity. But you’re merrily/desperately/mildly insanely seeing it through because you resolved yourself to completion, and because for God’s sake, you’re about to graduate college and you need to enter the world with samples. This student loan debt is going to pay itself. Failure is not an option! And then, happily, you brush the last stroke of green in the corner, the last word on the last page of whatever fiction you’re writing, and you collapse. Right there on the floor. The idea is out. You pushed the biggest piece of creativity through the tiniest holes of your hands, your eyes, your very heart and soul. And there it sits, staring back at you — the most beautiful thing in all the world because it’s your creation. It’s the result of months, sometimes years, of intensive labor and obsessive thinking, of joyously productive days and sleepless nights. It is, at the very least, finished.
I’ve maintained a love/hate relationship with the creative process since I discovered its existence. On the one hand, I’m proud, thrilled, and ecstatic that I’m wired for this type of thing. It fuels me. It’s relieving to know a cubicle is not now, nor will it ever be, the place for a weirdo like myself. I can make my own hours and things like “people watching” are required tasks. That’s cool and exciting. Not to take away from the virtue of professions like accounting or VCR repair, it’s just I’ve never found myself with a passion for mechanics or numbers or anything in that vein. And as equally as I love creative work, I struggle with the inevitable problems that arise when trying to summon something into the universe from the recesses of a sometimes cloudy mind. I’m the boss, and those problems are mine to own and solve. Of course another bummer is poverty. Womp-womp-womp-wahhhh. There isn’t always a lot of money in these kinds of ventures. You slave away at a pizza joint for scraps of cash to pay the bills, continually producing work with the hope you can make a living out of it and with no guarantee you ever will. Some artists and writers will disagree with me here, emphasizing we should make art for art’s sake. While I admire these people, the world doesn’t run on hugs and dreams and I have to eat. So I’ll take money for my work any day of the week, stopping short of selling out. I do have a soul after all.
But for all of you freaks, weirdos, craftspeople, painters, writers, filmmakers, photographers, and all the rest of you: press on. Climb the mountain of Artistic Struggle (somebody start playing some orchestral John Williams right here), laugh and cry along the way, and when you get to the top, find a nice, soft spot to give birth to that living thing that’s been growing inside you for as long as you can remember. Continue to populate the earth with ideas; I don’t think we can ever have too many. I’ll continue as always with my toils and triumphs (both equally stimulating)…mainly because there is no real Plan B.
Fact: The world needs us. The world needs creativity. The world needs you…and your baby. So cough it up.


















































































